I swear that as a reviewer, things are getting harder to define. What do I mean? The crossing of genres, the meshing of styles, is becoming so common as to make established genre descriptions almost defunct, and this is making the job of those of us that still write about music very much more difficult.
For many, gigs in the heat of summer evenings are a tough sell, particularly in small venues (outdoor, festival shows of course are a different matter entirely). However, the summer is paradoxically a busy time for indoor shows, and two came up this week on consecutive evenings, and they were very different.
The cliché of the second album. It gets raised every single time, by just about everyone, but is it really a thing? I guess it depends on what happens with your first. If your first album isn’t great, though, will you have a chance to make a second? This second album expectation only really comes […]
The announcement of a European Skinny Puppy tour earlier in the year (“Down the Sociopath Too Euro 2017“) was, I have to say, a bit of a surprise. It has been seven years since their last UK appearances at least, and in the meantime they’ve released the excellent Weapon – but that was four years […]
How artists can change entirely, embrace a whole new body, as it were, has never ceased to be a fascination to me.
One of the must-see shows in the calendar for the past few months finally arrived over the weekend.
I can’t remember whatsoever when I first heard Cubanate. It was in my early teens, and was either Body Burn or Oxyacetalene first. And then lots more Oxyacetalene, as it was everywhere for a time. I do remember picking up the single for Joy in the rather awesome Badlands record shop in Huddersfield, though. You […]
Looking back at my various notes and posts about gigs over the years, it’s now the best part of seven years since I first discovered Blindness, thanks to a chance catching of a post by a friend linking to the video for then-single Confessions.
I rather wondered, after the first time I saw Sunn O))) live, whether I could physically stand going a second time. It wasn’t that I didn’t enjoy it, it was just that the after-effects were like nothing I’d ever experienced after a gig.
Over the years I’ve had a whole host of releases sent to me for review. Time is often a factor in whether I can cover releases in any detail – please bear in mind that I run this site alone, funded solely by my own income, and I have a full time job.
Over the last year or two of the nineties, and then a good few years into the new millenium, the hybrid of industrial and noise took over the club dancefloor in our scene. It was everywhere. Noise clubs sprung up, existing clubs had noise sets or entire noise floors. Even Huddersfield had a noise night […]
Covenant are perhaps in a strange position nowadays. Their days at the peak of the Futurepop “movement” – where they were one of the titans of the scene, something made by United States of Mind, and then rammed home by the skyscraping brilliance of Northern Light – are now well over a decade in the […]
For the third year running – although it was a bit touch-and-go this year with the wedding and everything else, and my wife chose not to come along this time – the last weekend of September meant a trip 3,960 miles to the west of London. To the city of Chicago, to catch up with […]
Over the weekend of this year’s Infest, there was some discussion over the current state of the industrial (and wider) scene. In many other scenes – or indeed in “mainstream” popular music, there is an air of nostalgia as record labels struggling with new sales, are relying heavily on reissues of the old, particularly on […]
Velvet Acid Christ – one of the most divisive acts in industrial?
Lesley Rankine’s career in music now spans a few decades, and more than a few styles. She first came to prominence in the vicious, no-wave influenced punkish-rock of Silverfish, a fixture of the Camden scene in the early 90s and unusual in their strident politics and just how confrontational they were. The band toured with […]
A couple of years ago we were discussing the very evident trend of the time – that a new paradigm in industrial music seemed to be beginning. After some years of dominance of 4/4 rhythms, the same synth presets and a tiresome tirade of macho-bullshit lyrics and posturing, the tide suddenly shifted towards a disparate […]
I’m struggling to think of a single band in “our thing” that has had as much mainstream coverage – as in appearing in the news, not just in the music press – as Laibach did last year when their show in North Korea was announced.
This was one of those gigs that I took a while to make a call on. The Black Queen is a new side-project very, very different from the “parent” band (Greg Puciato, the vocalist of The Dillinger Escape Plan has formed this with Joshua Eustis, a former touring member of Nine Inch Nails and Puscifer, […]
It is easy to forget, but Massive Attack are now very much veterans in the electronic music world. Formed as far back as 1988, they released one of the most perfect debut albums ever (Blue Lines), helped define “trip-hop” in the mid-90s (whether they wanted to or not), and then went a whole lot darker […]