Friday, the end of another hectic week, and I finally have a weekend of almost total downtime – so let’s look at things to distract us, either by way of new music or events to consider. This is the usual amodelofcontrol.com round-up, of new music coming your way this week and soon, as well as […]
Right then, we’re back in the saddle now, and regular editions of the /transmission podcast will now be released once again – broadly bi-weekly, but that may depend on our commitments around the time! Anyway, this week we get through the remainder of the letter “k”, and again with a contentious artist this week, that […]
It’s Friday, therefore time for the usual amodelofcontrol.com round-up of new music coming your way this week and soon, as well as a look at the events and gigs in the future, and finally nods to any other notable news that affects artists and music that I cover here.
A double dose of 1997 this month, after Infest (and of course the writing of Memory of a Festival: 028 that followed it) took up my time at the end of August.
The past few weeks have, in one of those odd quirks of scheduling, seen three of the big names in industrial and goth music all come through London in a short space of time. All three are in different places.
The influence of classical music upon “popular” music is often forgotten, perhaps as the evolution through what became jazz and blues into rock and beyond is a complex one that took quite some time – indeed it took most of the twentieth century, as the exceptional The Rest is Noise by Alex Ross explains in […]
Welcome to the third weekly round-up of new music, forthcoming release announcements, upcoming gigs and clubs, and other things that might be worthy of note within the realm of music that amodelofcontrol.com covers.
Thirty-three years, twenty albums, countless singles, a few live albums, various re-issues. Various record labels (most notably associated with WaxTrax! and then later Metropolis (North America) and Dependent (Europe)). And, broadly, one instantly recognisable sound, the Ultra Heavy Beat that blusters in on industrial beats and rock guitars, but somehow sounds like no-one else.
It is, then, the week of another bloody election this week here in the UK, and there has been distinct signs of just how fucked off everyone seems to be with it across the coverage of it (not helped by the uptick in terrorist attacks in the country in recent weeks). Fuck knows what is […]
These are turbulent times in the UK at least at the moment – with the prospect of choppy waters elsewhere too in 2016 – and it has rather been sapping my will to write, among other things.
Part five of my monthly rundown, across this year, of tracks from 1996 that broadly, I still love now.
During 2014, KMFDM turned thirty years old. One of the great survivors of industrial music, their often guitar-heavy take on industrial certainly gained them a wider audience than perhaps they would have otherwise have reached, but frankly their ear for a tune and monstrous choruses probably helped too. Saying that, though, they have their fair […]
A bit later than usual – Whitby and general life issues rather got in the way – and this of course will be the last new tracks roundup of 2014, as I’ll be doing the best of 2014 lists from early December as usual. And this is the first of two posts this morning.
After a mainly awful day at work today, it has been a useful reminder of why, really, I work: money.
Regular readers will be well used to this by now – at the end of each year, I round up my year in music over the course of successive weeks. This year there will be five posts, the dates of which are shown below. I’ve not had the time to write as many reviews as […]
The last month has been a really busy one, and despite attending a number of gigs in that period, I’ve not had the chance to get my thoughts on online for most of them so far. So – as I’m never going to be able to catch up if I don’t do this – here, […]
Recent KMFDM albums have followed something of a pattern, and not just in their release dates – i.e. in the Spring, every other year, for ten years now. All these years of "conceptual continuity" have resulted somewhat in a band resting on their laurels a bit, and most criminally re-using the same old ideas time […]
This is the eighth year that I’ve done a rundown of the music released in the past year – and every year I seem to end up with more material to cover.
A bit of a late start for me on this one – my third gig attended in a week – and as a result I missed the first two support bands, and indeed only just got into the venue in time to see most of the Global Citizen set. I’ve heard a few positive things […]
After celebrating 25 years of “conceptual continuity” in 2009-2010, with the associated tour and best-of album, as we headed into 2011 the first signs of the next stage of KMFDM were revealed, in the guise of a couple of singles, and now a new album under the moniker of WTF?! – continuing with the age-old […]