My preference for talking to interesting, progressive bands within what we do continues this week with Canadian industrialists Encephalon, as they prepare to release their third album We Only Love You When You’re Dead.
Continuing the process of wrapping up the last decade before it disappears too far into the rearview mirror, this is the second part of the best albums of the 2010s.
In conjunction with my talk at Nine Worlds about music and geekery (Tuesday Ten: 341), I wanted to feature The Gothsicles. But rather than just talk about them, I wanted to find out a bit more about this group and their focus specifically on gaming and industrial music.
The first time DJing in a while last night, where I joined Victoria Fenbane and Deathboy to DJ for my friend Poggs at his 40th birthday celebration. A raucous night that turned out to be a lot of fun to DJ.
Earlier this year, I made a commitment to covering more of the UK “scene” across this year (and beyond). Life has rather got in the way recently, meaning that I’ve not been able to post as much as I would have liked, but things are returning to normal a bit, thus I can resume with […]
The sixth part of Transmission, the a-z of industrial. This continues our look at industrial, and is this week all about bands beginning with “e”. It also features one of Daisy’s least favourite bands.
Trying to do a series on British Industrial has actually proven a little more difficult than I perhaps expected, partly my own fault due to issues with time and other commitments. But, following on from Talk Show Host: 043 with ded.pixel, I’m now continuing the series with a band with a near-unpronounceable name for many.
While the release schedules are often clogged nowadays with anniversary re-issues, remasters and other ways to get us, the listeners, to shell out cash again for albums we already have, it isn’t often that what might be termed overlooked or controversial albums come in for the lavish re-issue treatment.
Sometimes, acts intrigue by way of what they don’t tell you. Creating an air of mystique around themselves, they leave you with just the music and perhaps scant details to work out for yourself what you are hearing, what you are experiencing.
One thing I’ve been conscious of in recent times – and I mused over on Into the Pit: 203 – is that the local, as in British, industrial scene doesn’t perhaps get as much coverage as it should. Part of that is the lack of outlets to do so. This site is far from the […]
As we accelerate into 2018, it is time to resume my interview series. The first one of this year talks to an act who are returning after a few years away, and resuming operations after an unexpected tragedy.
Onto week three of Countdown: 2017 on amodelofcontrol.com, and this week I’m looking at the best albums of the year. Despite the move towards, it seems, streaming services and a more disjointed approach to listening, I still find that the albums of the year “award” remains the more important one, and it’s why it comes […]
I’m now in full-on “shit, what have I missed” mode on amodelofcontrol.com. This is as I’m frantically digging through everything I’ve written about this year, everything I’ve listened to, making sure that nothing really great is missing from the end of year round-up. It has happened before, where I’ve questioned later “how on earth did […]
The final tracks of the month for this year, so this one is slightly longer than usual as I try and crowbar in as many songs as possible to clear the decks. That’s because we’re just weeks away from starting to round-up the year in music, and there’s been so much good stuff this year […]
I’ve been fortunate here at amodelofcontrol.com this year to have been able to talk music and beyond with a great variety of bands and artists, all of whom are loosely involved with “our scene” in one way or another, and this includes bands both veteran and rather newer.
Initially this year, I was left rather nonplussed by much of the music being released. I mean, much of it was good, but there was little that was really grabbing me. Things have changed, though, at least, and the problem in the second half of this year has been that great music has been coming […]
Yes, it’s Wednesday, not Tuesday, and this features twelve songs. A day later than planned due to Whitby, of course, this is the very last look-back in my two-year series looking at 1996 and 1997. It has been an interesting delve into my musical past, and indeed has dredged up memories I’d long thought forgotten. […]
Back around to another Friday already, hurtling deep into Autumn here in the UK, with Christmas already looming on the horizon. But enough of distant holidays, let us talk about the music that is around right now, and there is a lot of it this week.
I’ve long had a fascination with Iceland. I first went there fifteen years ago (a week in a very wet September in 2002), and returned ten years later in equally formidable – but very different – weather conditions in late Spring, and have been pining to return ever since. That fascination with a country that […]
This week’s update comes to you fresh from amodelofcontrol.com attending it’s thirty-first gig of 2017 last night, which was the long-awaited London return of ex-Mansun frontman Paul Draper, at The Scala. It was notable for a few reasons, not least how long it is since he last toured (with Mansun), and how good the show […]