Trying to do a series on British Industrial has actually proven a little more difficult than I perhaps expected, partly my own fault due to issues with time and other commitments. But, following on from Talk Show Host: 043 with ded.pixel, I’m now continuing the series with a band with a near-unpronounceable name for many.
While the release schedules are often clogged nowadays with anniversary re-issues, remasters and other ways to get us, the listeners, to shell out cash again for albums we already have, it isn’t often that what might be termed overlooked or controversial albums come in for the lavish re-issue treatment.
Sometimes, acts intrigue by way of what they don’t tell you. Creating an air of mystique around themselves, they leave you with just the music and perhaps scant details to work out for yourself what you are hearing, what you are experiencing.
One thing I’ve been conscious of in recent times – and I mused over on Into the Pit: 203 – is that the local, as in British, industrial scene doesn’t perhaps get as much coverage as it should. Part of that is the lack of outlets to do so. This site is far from the […]
As we accelerate into 2018, it is time to resume my interview series. The first one of this year talks to an act who are returning after a few years away, and resuming operations after an unexpected tragedy.
I’ve been fortunate here at amodelofcontrol.com this year to have been able to talk music and beyond with a great variety of bands and artists, all of whom are loosely involved with “our scene” in one way or another, and this includes bands both veteran and rather newer.
It isn’t often that I get the chance to interview someone who can justifiably be called an industrial legend. That said, there aren’t many bands in any genre, never mind industrial, that are like Paul Lemos’ band Controlled Bleeding.
Conducting e-mail interviews – in effect a set of questions that then get answered in turn – can be a tough business. It’s difficult to tell whether you have the right tone in the questions, and of course it is also easy to be misconstrued. But then, just once in a while, you get measured, […]
The past is a strange place, and happily there are some people within our scene that can remember – but also helped to create those memories.