Sometimes, acts intrigue by way of what they don’t tell you. Creating an air of mystique around themselves, they leave you with just the music and perhaps scant details to work out for yourself what you are hearing, what you are experiencing.
Another Friday, another round-up. As always this is a look at upcoming releases, relevant music news and upcoming events and gigs worth spending some of your time at. It is by no means an exhaustive list, and I’m always on the lookout for more to include.
Initially this year, I was left rather nonplussed by much of the music being released. I mean, much of it was good, but there was little that was really grabbing me. Things have changed, though, at least, and the problem in the second half of this year has been that great music has been coming […]
I’ve long had a fascination with Iceland. I first went there fifteen years ago (a week in a very wet September in 2002), and returned ten years later in equally formidable – but very different – weather conditions in late Spring, and have been pining to return ever since. That fascination with a country that […]
My preference for talking to interesting, progressive bands within what we do continues this week with Canadian industrialists Encephalon, as they prepare to release their third album We Only Love You When You’re Dead.
Sometimes writing album reviews, in particular, can be extraordinarily difficult. Interestingly, it is rarely bad or disappointing albums that fall into this category – those are much, much easier, as flaws are often self-evident and easy to pick out. No, it’s the really good albums that are the tough ones. How on earth do I […]
Conducting e-mail interviews – in effect a set of questions that then get answered in turn – can be a tough business. It’s difficult to tell whether you have the right tone in the questions, and of course it is also easy to be misconstrued. But then, just once in a while, you get measured, […]
I swear that as a reviewer, things are getting harder to define. What do I mean? The crossing of genres, the meshing of styles, is becoming so common as to make established genre descriptions almost defunct, and this is making the job of those of us that still write about music very much more difficult.
I’m starting this year’s musical roundup a little differently to normal. During 2011, there has been a glut of compilations in the “Industrial” sphere. Some of them have been great, some of them…haven’t. So let’s have a brief look at each of them, and it might give a few pointers to where trends were heading […]