Woolstock 2008 Day One – Live at thesubculture Leeds – 30-May 2008

As a result of an early deviation for food first, I missed both Action Directe and Uberbyte – of which both sets I’ve heard many good things about. My excuse for missing them? I hadn’t eaten all day, really, and I seriously needed that meal!

Anyway, I was happily settled in the venue in good time for Modulate: who, it appears, at present can do no wrong. This is the fourth time I’ve seen them live, and each time has been better than the last. So what made this one better? For starters, everything is even more polished than before. The neat symmetry and look of the band onstage makes for a professional appearance, and another different setlist (my understanding is that each live gig has has been changed in terms of songs and running order), which is great – it certainly helps to ensure that the crowd may not get jaded by hearing the same songs each time, particularly as a lot of the crowd here attended the gig in Sheffield at the beginning of May.

Modulate: Woolstock 08: Leeds: 30-May 2008Once again a new song opened the set, not that it bothered the masses, who were already dancing away, while one of the other new tracks, Bass Alert [I’m sure I’ve got this the right way ’round!] is a storming track that I’m damned certain is yet another to slay the dancefloor in future. While much of the new material sticks to the tried and tested formula in the main (stomping beats, well-placed samples, almost impossible not to dance to etc), the other new track aired, Raising Lucifer moved towards the realms of breakbeat to great effect. I’m not sure everyone approved, maybe it needs to be played more to win them over.

Surprise of the night came when Sami from Faderhead jumped onstage to do the vocals to Modulate’s rework of Dirtygrrrls Dirtybois, which predictably enough went down a storm, and was probably the highlight of the night. Otherwise, the rest of the usual suspects in the set were aired, concluding (as appears to be the norm now) with Revolution, which still kicks ass. And so where from here? The only way is up, surely. They are consistently blowing every other act they play alongside offstage (even when the other acts are very good indeed, as happened here), and bigger headline shows are surely only a matter of time.

XP8 Setlist:
Download Me
Our Time
Muv Your Dolly
Flatline
Juggernaut
Cuttin’ and Drinkin’
Control I’m Here
The Art of Revenge
Cracked
Eklypse
Ready2Go

XP8: Woolstock 08: Leeds: 30-May 2008So how could XP8 follow that? Despite a thinning of the crowd – I think partly due to “last trains/buses” for a number of people – I’d say they did a pretty good job. As noted in my review of recent album The Art of Revenge, much has changed in the XP8 camp of late and this live show only proved this even more. In the main, out has gone the old material, replaced by a heavy emphasis on the much harder-hitting, and frankly better new material. Almost all of the new material teems with energy and cracking tunes, with the wonderfully catchy Download Me opening the show in style. Of the few older tracks played, Flatline was undoubtably the highlight – much-changed from the (IMHO) weak album version, it had Marco bouncing all over the stage and the crowd following suit on the dancefloor. Bizarrely, Juggernaut wasn’t the dancefloor monster that I thought it could well be in the live environment – but then, it’s slow opening meant that it took a little momentum from the set and perhaps would be better suited as the set opener? Old track Cuttin’ and Drinkin’ flowed seamlessly into a short rendition of the Nitzer Ebb classic Control I’m Here (rather than a full track, more just a throwaway snippet – and no complaints from me!).

The best tracks were of course saved for last, Eklypse was surprisingly even better in it’s live format, while Ready2Go was nearly leaving tracks of fire behind it they surged through what remains XP8’s best track. Apparently not to everyone’s taste – and from comments I’ve read elsewhere some people prefer the “old” XP8 – I thought that they were a solid live band that is clearly very confident in the power of their new material, and their sheer enthusiasm did seem to rub off on the crowd in getting them going. A shame a number missed the set or the latter part at least by leaving early – this was top-notch stuff.

Ministry – Live at Academy, Manchester – 29-May 2008

I’ve done a good job in recent years in catching up with a number of bands that I missed in my younger years, that became huge influences on the music that I listen to and the music that I play when DJing. And happily enough, all of them have lived up to their reputation – until now. Read more “Ministry – Live at Academy, Manchester – 29-May 2008”

XP8 – The Art of Revenge

Before you even start listening to this CD – and particularly if you know XP8’s recent history – it is plainly obvious the band have some scores to settle. And indeed, perhaps they have – previous album HRS:MIN:SEC, while it had it’s moments, was a little derivative and at points, er, a bit soft. Read more “XP8 – The Art of Revenge”

Tuesday Ten: 038: Musical Heroes

This week's Tuesday Ten has been "in the works" for a few weeks, as after I had first conceived the idea it took me some time to complete the list. So what is it? It is the idea of my musical heroes. Obviously this is likely to be a contentious list: and those in it aren't always there just for their musical ability, or the fact that I like all their work (in many cases, I don't). Read more “Tuesday Ten: 038: Musical Heroes”

Pendulum – In Silico

Is it a cheap shot to blame the Prodigy for what Pendulum have become? Or maybe it isn’t. After all, although they were already rising stars in the drum’n’bass scene, it was their simply awesome reworking of Voodoo People that thrust them into the limelight, and since then their insistence on merging the ideals of rock and drum’n’bass (much like The Prodigy did when making a rock show from a dance band) has taken prominence over what made them so great in the first place. Read more “Pendulum – In Silico”

Tuesday Ten: 037: Tracks of the Month (April 2008)

Here is my usual run-down of ten tracks that I think are worthy of mention from the past month. Some might note a lack of “metal” in this list: mainly because there is little new stuff that I have heard that has inspired me to write about in any way. So, here goes. Read more “Tuesday Ten: 037: Tracks of the Month (April 2008)”

Soman – Live at Corporation Sheffield – 02-May 2008

First band on were Skinjob, an act that have been around for a while but somehow I have managed to miss every single time they have played locally to me. So, I was looking forward to this. And immediately I was disappointed by the dreadful sound: somehow the sound was a muddy mess, with the live drums set far too high in the mix and obliterating many of the synth lines and vocals. Which was a real shame, as the songs show promise. Opener Beauty Is Your Toy is a great song, that with a clearer sound would have had much more of a chance of winning the crowd over. So, hopefully at Infest at least they will have a better sound mix that enables them to show off how good a live band they could be. Also really rather depressing was the girl sat up in front of the monitors for all of their set – unbelievably rude. Read more “Soman – Live at Corporation Sheffield – 02-May 2008”