How artists can change entirely, embrace a whole new body, as it were, has never ceased to be a fascination to me. Read more “Coldkill – Distance By Design”
I can’t remember whatsoever when I first heard Cubanate. It was in my early teens, and was either Body Burn or Oxyacetalene first. And then lots more Oxyacetalene, as it was everywhere for a time. I do remember picking up the single for Joy in the rather awesome Badlands record shop in Huddersfield, though. You know, back when every reasonable-sized town had at least one great record shop, maybe even two. For a while Huddersfield didn’t even have an HMV (it’s re-opened since, in a smaller unit). Read more “The Rearview Mirror: 009: Cubanate – Brutalism”
Looking back at my various notes and posts about gigs over the years, it’s now the best part of seven years since I first discovered Blindness, thanks to a chance catching of a post by a friend linking to the video for then-single Confessions. Read more “Blindness – Monsoon EP”
Over the years I’ve had a whole host of releases sent to me for review. Time is often a factor in whether I can cover releases in any detail – please bear in mind that I run this site alone, funded solely by my own income, and I have a full time job. Read more “God In A Cone – The Sex Is Fear / Ambassador21 – Human Rage”
Over the last year or two of the nineties, and then a good few years into the new millenium, the hybrid of industrial and noise took over the club dancefloor in our scene. It was everywhere. Noise clubs sprung up, existing clubs had noise sets or entire noise floors. Even Huddersfield had a noise night (Implant) for a while, that eventually moved onto Manchester and bigger things, as the main industrial festivals frequently put on acts from the scene. Read more “The Rearview Mirror: 008: Converter – Shock Front”
Part three of the round-up of 2016 comes to you from the final week of our honeymoon (from the warm sunshine of the Dominican Republic). Sorry, not sorry. Read more “Best of 2016: Albums”
Covenant are perhaps in a strange position nowadays. Their days at the peak of the Futurepop “movement” – where they were one of the titans of the scene, something made by United States of Mind, and then rammed home by the skyscraping brilliance of Northern Light – are now well over a decade in the past, and in the following years have released a number of albums…none of which have quite measured up. Read more “Covenant – The Blinding Dark”
A couple of years ago we were discussing the very evident trend of the time – that a new paradigm in industrial music seemed to be beginning. After some years of dominance of 4/4 rhythms, the same synth presets and a tiresome tirade of macho-bullshit lyrics and posturing, the tide suddenly shifted towards a disparate batch of bands taking influences from “classic” industrial and finding ways of fitting them together with other styles.
Read more “Youth Code – Commitment to Complications”
This week, on part three, I turn my attention to the best albums of the year. I seem to say it every year, but really – 2015 has been an extraordinary year for alternative music, you’ve just got to have been looking in the right places to find some of it. Not all of it has been what you might expect – one of the most interesting trends of late has been some cross-pollination of genres that is really resulting in some extraordinary music. Read more “2015 in Review: Best Albums”
The subject of death is a strange one in music. After all, none of us alive have personally experienced it, by the very virtue that we’re still alive. We might have been close to it, or lost loved ones, but we’ve not actually gone through the process ourselves. So perhaps uniquely for a subject used so much in music, it is always a second-hand view.
Read more “Dead When I Found Her – All The Way Down”