Trying to do a series on British Industrial has actually proven a little more difficult than I perhaps expected, partly my own fault due to issues with time and other commitments. But, following on from Talk Show Host: 043 with ded.pixel, I’m now continuing the series with a band with a near-unpronounceable name for many.
While the release schedules are often clogged nowadays with anniversary re-issues, remasters and other ways to get us, the listeners, to shell out cash again for albums we already have, it isn’t often that what might be termed overlooked or controversial albums come in for the lavish re-issue treatment.
Sometimes, acts intrigue by way of what they don’t tell you. Creating an air of mystique around themselves, they leave you with just the music and perhaps scant details to work out for yourself what you are hearing, what you are experiencing.
One thing I’ve been conscious of in recent times – and I mused over on Into the Pit: 203 – is that the local, as in British, industrial scene doesn’t perhaps get as much coverage as it should. Part of that is the lack of outlets to do so. This site is far from the […]
As we accelerate into 2018, it is time to resume my interview series. The first one of this year talks to an act who are returning after a few years away, and resuming operations after an unexpected tragedy.
I’ve been fortunate here at amodelofcontrol.com this year to have been able to talk music and beyond with a great variety of bands and artists, all of whom are loosely involved with “our scene” in one way or another, and this includes bands both veteran and rather newer.
I’ve long had a fascination with Iceland. I first went there fifteen years ago (a week in a very wet September in 2002), and returned ten years later in equally formidable – but very different – weather conditions in late Spring, and have been pining to return ever since. That fascination with a country that […]
My preference for talking to interesting, progressive bands within what we do continues this week with Canadian industrialists Encephalon, as they prepare to release their third album We Only Love You When You’re Dead.
This week, I’m back to talking to someone I’ve wanted to catch up with for some time. As The Rearview Mirror: 010 perhaps suggested, I’m a long, long time fan of the work of Dean Garcia, both of his work with Curve, and his more recent work under the SPC ECO name.
As well as talking to the legends of our wider industrial scene (see yesterday’s interview with Bill Leeb, for example, among others), I’m also keen on hearing the voices of new and younger artists. As Alex Reed of Seeming noted the other week, we can’t always look at the past.
This was an interview I’ve wanted for amodelofcontrol.com for as long as I’ve been doing interviews. I’ve followed, and listened to Bill Leeb’s work in Front Line Assembly (and to a lesser extent in his other projects) for well beyond two decades, and have long been curious about a number of things.
It isn’t often that I get the chance to interview someone who can justifiably be called an industrial legend. That said, there aren’t many bands in any genre, never mind industrial, that are like Paul Lemos’ band Controlled Bleeding.
Conducting e-mail interviews – in effect a set of questions that then get answered in turn – can be a tough business. It’s difficult to tell whether you have the right tone in the questions, and of course it is also easy to be misconstrued. But then, just once in a while, you get measured, […]
Some artists never sit still, and continue to innovate, moving their sound forward by involvement in new projects and new concepts.
Nearly five years ago, I stumbled across a fascinating live electronic act opening the Saturday afternoon at BIMFest in Antwerp.
The past is a strange place, and happily there are some people within our scene that can remember – but also helped to create those memories.
Here at amodelofcontrol.com I’ve come to appreciate over the years that interviewing bands – I prefer e-mail than to be transcribing Skype interviews, partly as trying to schedule them is very difficult indeed too! – can often tell me (and of course my readers) so much more than just a review. After all, I’m only […]
One of the more surprising – and great – returns last year was the return of Raymond Watts’ long-running project <PIG>. After a US tour last year, that I caught at Cold Waves in Chicago, the first <PIG> UK dates in years were announced recently. So I thought it the right time to catch up […]
Of the many bands I saw at Cold Waves in September, one that left a particularly lasting impression was KANGA. With her new album released in the past week, I thought it a good time to catch up with her on e-mail to discuss that, her live performance and a few other things.
I’ve bemoaned the relative lack of political bands over recent years, but there are still such bands out there, with something to say. One such band is Syd.31, led by Jason Pearson, and they recently put a new single out that was featured prominently by Louder Than War.